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Who Was “Queen of Gospel Songwriters”?

Apr15

Fanny J. Crosby #4If you have gone to church all of your life (as I have) or if you have only attended a few times for special services or events you, no doubt, have heard some of the following songs sung:  “Blessed Assurance”, “Near the Cross”, “To God Be the Glory” or “Pass Me Not, O Gentle Savior“.  What do they all have in common?  The lyricist to these and nearly 9,000 other Gospel songs and hymns is a woman whose name you may have heard; she was Frances Jane van Alstyne, and she went by her maiden name, Fanny J. Crosby.  She is known as the “Queen of Gospel Songwriters” and the “Mother of modern congregational singing in America”, with more than 100 million copies of her songs in print.  Perhaps no one has seen more of their songs included in church hymnals than Fanny Crosby.  But, what you may not know about her is the fact she was blind from shortly after birth!

 

Fanny J. Crosby was born on March 24, 1820 in the village of Brewster, New York, about 50 miles north of New York City, and traced her ancestry from Anna Brigham and Simon Crosby who arrived in Boston in 1635 and were among the founders of Harvard College.  When she was just six weeks old, she developed an inflammation of the eyes resulting in total blindness for the rest of her life.  Her father died when she was only six months old and she was raised by her devout Christian mother and maternal grandmother, who grounded her in Christian principles and helped her memorize long passages from the Bible.  She memorized five chapters of the Bible each week from the age of ten, and by age fifteen had memorized the four gospels, the Pentateuch (first five books of the Old Testament), the Book of Proverbs, Song of Solomon and many of the Psalms!  Fanny later stated, “It seemed intended by the blessed providence of God that I should be blind all my life, and I thank Him for the dispensation.  If perfect earthly sight were offered  me  tomorrow I would not accept it.  I might not have sung hymns to the praise of God if I had been distracted by the beautiful and interesting things about me.”

After her 1843 graduation from the New York Institution for the Blind (NYIB) where she was a student for eight years and another two as a graduate pupil, learning among other things to play the piano, organ, harp and guitar, as well as sing, she lobbied in Washington, DC for support of education for the blind; was the first woman to speak in the United States Senate; gave a concert for Congress; spoke before a joint session of Congress; and recited original poems for several presidents, including John Quincy Adams, James K. Polk and Grover Cleveland, whom she had met while teaching at the NYIB, when he was only seventeen years old!  The two spent many hours together at the end of each day and he often transcribed the poems she had written as she dictated them to him.  In 1858 she married Alexander van Alstyne, Jr., who was also blind and had been a student at the NYIB.

Fanny J. Crosby #3

 

Fanny J. Crosby was a committed Christian who was a member of several different churches during her lifetime, including the Sixth Avenue Baptist Church in Brooklyn, where she served as a consecrated Baptist missionary, deaconess, and lay preacher, writing one of her most famous hymns, together with her minister Robert Lowry, “All the Way My Savior Leads Me”, as well as many others.  Although Fanny wrote many political, patriotic, and popular songs, as well as three cantatas, (one written for the choir at the Mercer Street Presbyterian Church in Manhattan), she is best known for her Gospel songs and hymns which have endeared themselves to the hearts and souls of millions through the years.  Although she was criticized by hymnologists as writing “very weak and poor” lyrics which were considered “crudely sentimental” or “gushy and mawkishly sentimental” (attacking both her writing and theology), Fanny persevered with the gift God had entrusted to her.   The informal ballad style broke away from the staid, formal approach of earlier periods, touching deep emotions in singers and listeners alike; audiences thrilled to the genuine, heartfelt Christianity of her songs, placing a heightened emphasis on the conversion experience through Jesus Christ, with the emotions that accompany it, and the testimonies that reflect a genuine change of heart and lifestyle!  I believe they were anointed by the Holy Spirit!  She always asked the Lord to be her inspiration before writing a song, often composing six or seven hymns in one day!  Her poems and hymns were composed entirely in her mind and she worked on as many as twelve hymns at once before dictating them to an amanuensis (one employed to write from dictation); on one occasion she composed 40 hymns before transcription!

 

Over 8,000 of her songs were purchased by major publishing companies of the day (nearly 2,000 of them actually published in their hymnals),  and Fanny gave the majority of her earnings from her songs (often only $1 or $2  per song as a lyricist) to the poor and disabled. She truly had a heart of compassion and love and spent most of her adult years working in rescue missions and living near the slums of New York City.  It was her involvement in the city missions and a Manhattan prison that gave her the inspiration for “Rescue the Perishing”, “Pass Me Not, O Gentle Savior” (used worldwide by Ira Sankey in his crusades with Dwight L. Moody in Britain in 1874), and “More Like Jesus”.  Even though Van and Fanny could have lived comfortably on his income from playing the organ at two churches in New York City and giving private music lessons, and hers as a poet and lyricist, the couple “had other priorities and gave away anything that was not necessary to their daily survival.”  The couple organized concerts with half the proceeds given to aid the poor.  Truly they personified Jesus’ words to “go and sell your possessions and give to the poor, and you will have treasure in heaven….” Matt. 19:21

In 1859, the van Alstynes had a daughter names Frances who died in her sleep soon after birth.  The cause is not known for sure, but some believe she became ill with typhoid fever, and others have given SIDS as the cause.  As a result of this tragedy, Fanny was inspired to write the beautiful hymn which has been a comfort to so many in time of bereavement, “Safe in the Arms of Jesus”. Towards the end of her life, she would remark, “Now I am going to tell you of something that only my closest friends know.  I became a mother and knew a mother’s love.  God gave us a tender babe but the angels came down and took our infant up to God and to His throne.”

Another hymn which is one of my favorites is “My Savior First of All” which says,

“I shall know Him, I shall know Him, And redeemed by His side I shall stand; I shall know Him, I shall know Him; By the print of the nails in His hand.”

During times of great tragedy, as after the loss of her daughter, and even in challenging times caused by her lifelong blindness, Fanny could write such words, looking forward to the day when she would see Jesus and know Him by feeling the print of the nails in His hand!   The only way she knew how to “see” things, was by feel.  Think about the profound statement she made in that hymn…to “feel” the print of the nails in His hand!  She made the statement once, “When I get to heaven, the first face that shall ever gladden my sight will be that of my Savior.”   For the first time ever, she saw Jesus with eyes that were no longer blind!  This touches me deeply.

 

Fanny J. Crosby wrote so many, many more wonderful songs, some of which are basically unknown, and many which you and I have probably sung multiple times, such as “Jesus Is Calling”, “Will Jesus Find Us Watching?”, “Saved by Grace”, “He Hideth My Soul”, “I Am Thine, O Lord”, “Redeemed”, “Near the Cross” and “Close to Thee”.  She collaborated with numerous composers of melody including William H. Doane, an industrialist who composed melodies for an estimated 1500 of Crosby’s lyrics;  Ira Sankey, D.L. Moody’s song leader who made her basically a household name throughout the world by singing many of her songs in their meetings; and Robert Lowry, an American Baptist minister who also wrote “Shall We Gather at the River”, “Christ Arose!” and “Nothing But the Blood!” among others.

 

I think one of the most interesting stories is her collaboration with wealthy Methodist socialite Phoebe Palmer Knapp, whom she met in 1868, and who was married to Joseph Fairchild Knapp, co-founder of Metropolitan Life Insurance Company!  The Knapps published hymnals for the Sunday School of Saint John’s Methodist Episcopal Church in Brooklyn, where Knapp was Sunday School superintendent for 22 years.  Fanny co-wrote (lyrics) for 21 hymns in their hymnal “Notes of Joy”; Phoebe provided music for fourteen of them.   The best-known of all of these songs which the two women collaborated on is one you have probably sung many times, “Blessed Assurance”, which Fanny wrote the words to in the Knapps’ music room to Phoebe’s music, while staying at the Knapp Mansion in 1873.  I find it so interesting that the beautiful song which says, blessed “assurance”, Jesus is mine was composed by an “insurance” man’s wife.  The two remained friends for life!

In her latter years, Fanny J. Crosby continued to be actively involved in her work with the missions of Manhattan and greater New York City, including speaking engagements, support and missionary work among America’s urban poor almost until the day she died in 1915 a month before her 95th birthday after moving to Bridgeport, Connecticut to be closer to her family.   Although her hymn writing declined in these last years of her life, the popularity of her lyrics as well as her winsome personality catapulted her to fame.  In 1975, Fanny was posthumously inducted into the Gospel Music Hall of Fame.

Fanny J. CrosbyOne of my favorite Fanny J. Crosby songs is the well-known hymn, “Praise Him, Praise Him” which I recorded a few years ago in a bit of an up-tempo jazzy version; I hope she would have approved!  The melody is composed by Chester G. Allen.   I hope you will enjoy my arrangement as we celebrate the life and music of a remarkable woman devoted to God in spite of her challenges, and who was determined to write lyrics that would lift up Jesus and win people to Him!  Fanny had set a goal of winning a million people to Christ through her hymns, and whenever she wrote a hymn she prayed it would bring men and women to Christ; she kept careful records of those reported to have been saved through her hymns!  I believe that goal has been surpassed many times over throughout the years as people of all ages continue to be blessed, inspired and changed through listening to the words of Fanny J. Crosby set to music!

 

 

The Story of “Silent Night”

Dec19

The beautiful and much-loved Christmas carol, “Silent Night”, has a very interesting story behind it….I thought you might enjoy hearing how this most famous carol came to be written!

The year was 1818 and a roving band of actors was traveling through the Austrian Alps performing their re-enactment of the story of Christ’s birth in towns all over the area. On December 23 they arrived at Oberndorf, a village near Salzburg, where they were scheduled to perform that evening in the small Church of St. Nicholas.

Unfortunately, the church organ was broken and unable to be repaired until after Christmas. Undeterred, the acting company simply moved their Christmas drama to a private home. In attendance that evening was an assistant priest of the church, Josef Mohr, a young man who had been born an illegitimate child on December 11, 1792 in  Salzburg.  He had become a Catholic priest in 1815 after he obtained a special papal dispensation that was required for illegitimate persons entering the priesthood. That night the beautiful presentation of the actors put him in a meditative mood, and instead of walking straight home, he took a longer route which included a quiet path up a hill overlooking the village below. As he looked down from the hilltop on the peaceful, snow-covered village, he reveled in the majestic silence of the wintry night and, gazing upon the picturesque winter scene, remembered a poem he had written a couple of years before about the night the angels announced the birth of the long-awaited Messiah to shepherds on another hillside far away in Judea.

Mohr, who was very determined to introduce music in the mother tongue of the Austrian and German people, instead of insisting they sing songs and hear sermons in Latin which was not understood by anyone, decided that the words he had written might make a good simple carol for his congregation the following evening at their Christmas eve service. The only problem was he had no music to which the poem could be sung! So the next day Father Mohr went to see the church organist, Franz Gruber. The organist had only a few hours to compose a melody for Mohr’s poem, and due to the fact the organ was inoperable, he had to come up with an extremely simple melody and chord pattern that could be sung with a guitar. Gruber managed to do just that, and by the time of the Christmas eve service, he had composed a simple but beautiful musical setting for the poem, one which could easily be sung by the common people and whose accompaniment could  be strummed on the guitar. They had just introduced a Christmas carol that could be sung without an organ!

On that Christmas Eve in 1818, the congregation heard for the very first time the beautiful carol, “Silent Night”, sung by Mohr and Gruber, who also accompanied them on his guitar.

Weeks later, when the organ builder Karl Mauracher arrived to repair the organ, he heard Gruber play his composition as he tested out the newly refurbished instrument. Deeply impressed by the beautiful, melodious carol, Mauracher took copies of the music and words to “Silent Night” back to his own Alpine village of Kapfing. Two well-known singing families, the Rainers and the Strassers, heard and were captivated by the beautiful new song, putting it into their Christmas season repertoires.

The Strasser sisters spread the carol across northern Europe. In 1834, after they performed it for King Frederick William IV of Prussia, he ordered his cathedral choir to sing it every Christmas eve! Twenty years after it was written, the Rainers brought “Silent Night” to the United States, singing it (in German) at the Alexander Hamilton Monument located outside of New York City’s Trinity Church.  Josef Mohr and Franz Gruber had maintained their church work in relative obscurity through the years.  It was not until people began asking years later, as its popularity at Christmas increased, “Who wrote this beautiful song?” that  Gruber’s son spoke up and said, “I know the story of this song!” and produced a copy of it after his father’s death.  Josef Mohr died of complications from tuberculosis when he was not quite 56 years old, and is buried in the courtyard of a school he started in a small town in Austria during his priesthood.  Neither man ever knew the worldwide scope of the song they had penned that Christmas Eve in a small town in the mountains of Austria, but God used their talents in a remarkable way.  Even though Josef Mohr was a man who came from a less than desirable background at the time, God chose him to herald the message of the birth of the Savior through this beloved song!

In 1863, “Silent Night” was translated into English from the original German, and today the words of “Silent Night” are sung in more than 300 different languages around the world!  It has been recorded musically by over 740 artists all over the world, making it the most recorded song of all time!

The original German lyrics go something like this:

Stille Nacht, heilige Nacht,
Alles schlaft, einsam wacht;
Nur das traute heilige Paar,
Holder Knab im lockigten Haar;
Schlafe in himmlischer Ruh’, Schlafe in himmlischer Ruh’.

Did God in His sovereignty allow a simple church organ to “break down” and be out of commission at a most important time so that someone would compose a simple song, one that ordinarily would not be thought of as nearly complex enough for the traditional organ masterpieces of the day, later sung around the world as a best-loved rendition of His birth? Did God anoint two men who were moved by the events recorded in Matthew and Luke to compose perhaps the most famous of the carols that are sung all over the world to this day? I believe He did! I am thankful that they were obedient to the Holy Spirit’s prompting to pen the words and music that will go down in history as one of the greatest songs ever written!

Silent night, Holy night,
All is calm, all is bright;
‘Round yon virgin, mother and child,
Holy infant so tender and mild;
Sleep in Heavenly peace, Sleep in Heavenly peace.

Silent night, Holy night,
Shepherds quake at the sight; 
Glories stream from Heaven afar;
Heavenly hosts sing, “Allelujah”;
Christ the Savior is born, Christ the Savior is born!

Please enjoy my arrangement of this beloved carol from my Christmas album “Proclaim the Joy!” (available also on Pandora, Spotify, iTunes, CD Baby and others)

Could a Christmas Song Stop a War?

Dec14

Nativity sceneYou have no doubt heard the beloved Christmas song, O Holy Night, which is played and sung around the world, beautifully proclaiming the night our Savior was born in a manger in Bethlehem!  But, when I searched more deeply into the origins of this beloved carol, I was somewhat surprised by what I found.

Here is how the story goes:  A parish priest in a small town in France commissioned a local poet and wine commissionaire to write a poem for the village’s Christmas Eve mass.  Placide Cappeau read the account of Christ’s birth in the Gospel of Luke one night while traveling to Paris, and finished the poem “O Holy Night” by the time he reached the city.  He asked his friend, Adolphe Charles Adam, to compose the music for his poem, and three weeks later, the beautiful song was sung for the first time in the village on Christmas Eve 1847.

Initially, Cantique de Noel, the song’s French name, was widely sung and loved by the Church in France, but when some of the leaders learned that Cappeau was a socialist, and the musical composer, Adam, was a Jew, the song was uniformly denounced as unfit for church services.  But, as is the case so often with truly great music, the common French people loved the song and continued to sing it!

The song came to the United States via John Sullivan Dwight, an abolitionist during the Civil War, who translated it from French into English in 1858.  He was greatly moved by the line in the third verse:

Chains shall he break, for the slave is our brother;

and in His Name all oppression shall cease….

Dwight published the words of the song in his magazine and quickly found favor with the people in the North during the war.

Even though the song was banned in France, it was still popular among the people. On Christmas Eve, 1871, in the midst of fierce fighting between France and Germany during the Franco-Prussian War, an unarmed French soldier jumped out of the trenches, walked onto the battlefield, and started singing the song’s first line in French.  After he had sung all three verses, a German soldier emerged and started singing, “Von Himmel noch, da komm’ ich her….”, the beginning of a popular hymn by Martin Luther.

Fighting stopped for the next 24 hours in honor of Christmas Day!   Soon afterward, the French Church re-embraced the beloved song, Cantique de Noel, known to us in this country as O Holy Night.  It continues to be sung around the world and will no doubt remain on the list of most beloved Christmas songs!  I believe wherever this song is sung, a quiet, reverent atmosphere of praise and worship to our Lord and Savior, Jesus Christ, is created.

I love to play this song each Christmas and have combined it with the Italian carol, Gesu Bambino, in this live performance I did in Utah at Canyons Church a few years ago.  I hope you will enjoy this and worship the King of Kings with me!

 

(For more of my music videos, including this one, please visit my You Tube channel, Rebecca Baker Bafford).

Where Did Christmas Carols Come From?

Dec11

DSC00671.jpgWhat would Christmas be without those all familiar and beautifully sung carols we have undoubtedly heard since childhood? Did you ever wonder how they came to be called “carols” and what their origins are?

In France, these songs are called appropriately “noels”, from the French word meaning “Christmas”. Perhaps that explains the title of one much-loved carol, “The First Noel”. The first known Christmas hymns may be traced to fourth century Rome, where Latin hymns were austere statements of the theological doctrine of the Incarnation in opposition to Arianism. In the ninth and tenth centuries, the Christmas “sequence” or “prose” was introduced in northern European monasteries, and in the twelfth century monks began to derive music from popular songs, introducing something much closer to the traditional Christmas carols we take for granted.

Soon a strong tradition of popular Christmas songs in regional native languages developed, particularly in France, Germany and Italy. Christmas carols in English first appeared in 1426 in a book of twenty-five “caroles of Cristemas”, probably sung by groups of “wassailers”, or carolers who went from house to house singing and indulging in a brew called “wassail”, a hot drink made from wine or cider, spices, sugar and usually baked apples. It was traditionally served in a large bowl to warm the carolers. Many of these traditions continue to this day, especially where snow and ice make wassailing so inviting!

Many Christmas carols popular today were first printed in “Piae Cantiones”, a collection of late medieval Latin songs first publichsed in 1582. Some of these include “Christ was born on Christmas Day”, “Good Christian Men, Rejoice”, and “Good King Wenceslas”. Another favorite, “Adeste Fideles” (O Come All Ye Faithful), may have originated in the thirteenth century. Carols gained popularity after the Reformation in the countries where Protestant churches gained prominence and as well-known reformers like Martin Luther authored carols, encouraging their use in worship. The Lutheran reformation warmly welcomed music.

The eighteenth and nineteenth centuries brought several more well-known carols, including “Hark the Herald Angels Sing” written in 1739 by Charles Wesley, younger brother of John Wesley, founder of the Methodist Church; “Joy to the World” written in 1719 by Isaac Watts, to a tune attributed to ideas of a work by Handel, and based on Psalm 98, first published in England in 1833; “Silent Night” written in 1818 by Joseph Mohr and Franz Gruber (see my blog on the history of “Silent Night”) and first performed on Christmas Eve in Oberndorf, Austria; and “O Little Town of Bethlehem” written in 1868 by a Philadelphia Episcopalian priest, Phillips Brooks, who had been greatly inspired after traveling on horseback between Jerusalem and Bethlehem on Christmas Eve 1865. His organist, Lewis Redner, added the music.

The publication of Christmas music books in the nineteenth century helped to widen the popular appeal of carols and in the twentieth century composers and arrangers such as John Rutter and Benjamin Britten have continued to broaden the tradition with more beautiful songs of the Savior’s birth! As recently as 1865, Christmas-related lyrics were adopted for the traditional English folk song, “Greensleeves”, becoming the internationally popular Christmas carol “What Child Is This?” These beautiful hymns, known as “Christmas carols”, can be sung at anytime during the year, because they present so majestically and lyrically, the truths of the birth of the Savior of the world, Jesus Christ, who came to bring hope and salvation to every person who believes on Him! He truly is the “reason for the season” and can bring “joy to the world” to all who trust in Him! May you have a blessed and Christ-centered Christmas!
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Some Things Should Never Change!

May1

images[5]In my last blog post I mentioned a number of negative things I believe are going on in the church world when it comes to music, which do not lend themselves to a productive worship experience for many people.  Today, I would like to take a positive approach to worship by sharing a couple of scriptures from the New Testament, written through the hand of the Apostle Paul, about what, ideally, our corporate worship should look like.  The Bible says “in the mouth of two or three witnesses a thing shall be established”, so I have chosen two verses which say nearly the same thing.

The first is found in Ephesians 5:19 and 20, “Addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart, giving thanks always and for everything to God the Father in the name of our Lord Jesus Christ.” (ESV)

The second verse is in Colossians 3:16, “Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God.” (ESV)

It is pretty clear from these verses that the Early Church used this pattern of worship in its services.  Psalms have been used since the time of David as poetic themes from the Word of God set to various musical patterns.  Many churches, as well as synagogues, use these to this day.  Some use them exclusively in worship.  Psalms are simply passages of scripture dedicated to praise and worship of our Father which, when set to various melodies, can be extremely conducive to entering into His presence in the corporate worship setting.

Last night I attended a choir rehearsal of a world-famous and highly renowned choir.  They were rehearsing the familiar old tune from the 1800’s, “The Lord’s My Shepherd”, which is a musical adaptation of Psalm 23.  The associate choir director, a young man in his 30’s, related the story of how four years ago he had been experiencing severe trials in his life which had led him into a sort of depressed state.  One Sunday, as he walked into church, he heard the choir sing the words from this psalm,

“My table thou hast furnished

In presence of my foes;

My head thou dost with oil anoint,

And my cup overflows.”

He said that immediately a peace came over him and his whole outlook and attitude changed as he thought about our Lord who gives us so many blessings that our cups overflow with them!  It was a major turning point in his life that he never forgot.  God used a simple hymn to transform the life of a young man from feelings of depression to victory!

The second form of musical worship mentioned in the above verses is “hymns”.  These anointed works containing much scripture, worship of God and theologically sound doctrinal themes, have been penned by men and women for centuries as expressions of their love for their Lord, often mentioning the omnipotence and majesty of God, as well as the themes of crowning Jesus Christ as Savior and Lord, now and in Eternity!  I could go on and on, naming such great hymns as “Holy, Holy, Holy”, “Crown Him With Many Crowns”, “O For a Thousand Tongues to Sing”, and “Praise to the Lord, the Almighty” and so on.  To omit these mighty works, which have endured in the church for literally centuries, from our modern repertoire in favor of some light, fluffy tunes with words that copy current pop or rock lyrics, simply substituting the word “Jesus” for “you, my lover” is missing a sacred opportunity to enter into the presence of the Holy One!

The last type of music mentioned by the Apostle Paul is the term, “spiritual songs”.  I think we all are aware of what “spirituals” are…the African American people learned hundreds of songs by rote, which we still sing, as they were working in hard labor in the cotton fields and wherever they happened to be.  No doubt these songs were a great comfort to them in their physically agonizing times of stress and strain and probably “got them through” much pain and suffering.

Even if we today are not enduring the trials of the American slaves of old, we still have trials and tribulations that cause us to turn to our Creator for peace and help.  This is where many “spiritual songs” have sustained men and women, boys and girls for centuries.  These are “testimony” songs about God’s sustaining grace and power to deliver in time of need; songs about how God rescued us from the pit of despair and put us on the path to Eternal Life; testimonies and praise to Him in upbeat, as well as quiet and worshipful, tunes; and songs simply expressing our heartfelt love and gratitude to the One who has changed our lives!

I believe the Church collectively would do well to consider including music from each of these three categories in our worship services.  Surely this admonition from the New Testament is just as important for us to observe today as it was back when it was written.  Some things are not meant to change!

 

 

He Is Risen!

Apr4

musicnote[1]One of my favorite hymns is “Christ the Lord is Risen Today”, whose words were written by Charles Wesley, brother of the founder of the Methodist Church, John Wesley.  The Wesley brothers were both involved in active ministry and faithful followers of Christ.  Charles lived from 1707-1788 and wrote hundreds of hymns during his lifetime.  It seems no Resurrection Sunday service is complete without singing this beautiful hymn!

But, with all of the fanfare and excitement surrounding this holiday celebrated annually each spring, it is important to look at some facts concerning Easter.  First of all, the holiday as celebrated today, has pagan origins, not always pleasant to look at.  The name is derived from “Eostre”, an Anglo-Saxon goddess who was celebrated at a pagan spring festival celebrating the vernal equinox.  She was the “dawn goddess”.  Going even further back in history, the roots of the celebration can be traced all the way back to Nimrod, grandson of Noah, and his wife Semiramis, who is also known as “Ishtar”.  The Feast of Ishtar was started thousands of years ago by Nimrod, who wanted to be worshipped as the “Sun God”, and his wife, known as the “moon goddess”, goddess of spring and fertility, and the Queen of Heaven. This feast celebrated the rebirth or reincarnation of nature and the goddess of nature. Nimrod built the city of Babel, where God confounded the languages at the Tower of Babel.  Their wickedness was known throughout the earth!.

Jesus Christ’s (Yeshua, the Messiah) resurrection occurred just after Passover, on the Jewish Feast of First Fruits, celebrated the first Sunday morning after Passover.  For centuries Christians celebrated on this day, but in AD325, Roman Emperor Constantine, presiding over the large council at Nicea, set the date of the celebration of Christ’s resurrection as the first Sunday after the first full moon after the spring equinox (explaining the wide difference in dates for Easter each year), and in seeking to “Christianize” the pagans and the entire world, decided to give new names and meanings to the old pagan festival celebrating fertility in order to keep people happy who were already celebrating these events.  Thus, the celebration of Christ’s resurrection was combined with a pagan fertility festival and renamed Easter!  All of these facts are readily available online if you care to do the research.

The truth is, the Early Church did not celebrate Easter, but rather the Passover; rabbits and eggs have nothing to do with Christ’s resurrection, but rather are symbols of the ancient pagan fertility rites; sunrise services looking to the East are based on pagan customs (Ezekiel 8:15-18) and Good Friday and Lent are manmade events. Jesus predicted that He would be in the ground “three days and three nights”, so the math just does not work if you believe he was crucified on Good Friday. The truth is, he was more than likely crucified on Thursday morning, embalmed and laid in the tomb before sundown on Thursday, as the Jews were prohibited from working on the Passover, which was Friday (a day on the Jewish calendar is from sundown to sundown); Jesus celebrated the Last Supper with his twelve disciples probably on Wednesday evening, a night earlier, as he knew he would be dead by the next evening when Passover was to be celebrated. Then, the regular Sabbath was Saturday, and the biblical Feast of First Fruits was celebrated on that Sunday following the first Sabbath after Passover. Jesus arose from the dead at the dawning of the first day, Sunday, thus becoming the “first fruits of them that slept” (I Corinthians 15:20-23). He not only fulfilled His promise to rise again after three days and three nights (the math works here!), but He fulfilled the Sabbath and the Feast of First Fruits! He became our Passover Lamb with His atonement for our sins, as well. When the veil of the temple was torn in two at Jesus’ crucifixion, God was giving us a sign that Christ had indeed fulfilled the requirements of the Law, becoming our sin offering so we might have Eternal Life!

So, knowing all of the pagan origins of this holiday and the fact that even many churches today continue to combine the pagan with the spiritual, perhaps in ignorance, should we refuse to observe this Resurrection Sunday? Emphatically not! This day celebrates the greatest event in history…the resurrection and eventual ascension to Heaven of our Lord and Savior, Jesus Christ, sent down to us by our Heavenly Father to show us the way to God by giving His life for us and providing His blood as atonement for our sins! It is a final work, a once-and-for all event, spoken by our Lord when He uttered the words, “It Is Finished!” By accepting His finished work, we enter into salvation from our sins and Eternal Life is assured! We do not have to work for our salvation; it is a free gift, provided through Christ’s death, burial and resurrection!

So, how shall we celebrate this day? On Resurrection Sunday, let us join with millions around the world in singing Charles Wesley’s song, “Christ the Lord is Risen Today”, knowing that we are not celebrating a mixture of pagan symbols and man-made ceremonies that are not in the Word of God, but a risen Savior!  Let us rejoice out of a deep sense of awe and gratitude for what our Lord did for us on Calvary and through His resurrection, providing salvation through Jesus Christ, the “Lamb of God who takes away the sins of the world”!

 

There’s Power in the Name of Jesus!

Feb10

images[5]  musicnote[1] Do you believe in the statement, “There is power in the Name of Jesus”? Have you ever thought about even singing that Name to the Enemy of our souls, who has to flee?

I just read an amazing story that I was unaware of, but it is well documented.  It has to do with the old hymn we all know and sing in our churches, “All Hail the Power of Jesus’ Name.”   The lyrics, written in 1779 by Rev. Edward Perronet, a British minister and close friend of John and Charles Wesley, have been translated into almost every existing language and the song has often been called the “National Anthem of Christendom.”

In the early 1800’s a missionary by the name of Reverend E. P. Scott was living in India attempting to reach the native people for Christ.  At the prompting of the Holy Spirit, but against the advice of his fellow missionaries, he set out alone to visit a remote village, determined to share the Gospel with a dangerous savage tribe.

After a journey of a few days, Scott was met by a large group of warriors who quickly surrounded him, each one pointing a spear towards his heart.  The missionary expected that he would die, so he made a decision to use his last few breaths to glorify God, while hopefully stirring something within the hearts of his captors.  He was a musician who always carried his violin with him, so he took it out, closed his eyes, and began to play and sing “All Hail the Power of Jesus’ Name” in the native language of the warriors.  He fully expected to feel the agony of the spears being plunged into his heart at any second.

Amazingly, after singing the first verse, the second, the third and then beginning the fourth, Rev. Scott realized he was still standing, and that the angry warriors around him had become peacefully quiet!  As he slowly opened his eyes, he saw every spear lowered!  There stood those mighty warriors, with tears in their eyes.   The power of the Name of Jesus had just been demonstrated once again!

The warriors invited Rev. Scott to stay with them!  He lived among them for over two years, sharing the love of God with them and leading many of them to Christ!  The power of just one song sung in a moment of crisis changed the lives of many that day, accomplishing what a hundred sermons may never have been able to do!

The Apostle Paul writes in Philippians 2 9-11, “Therefore God also has highly exalted Him and given Him the name which is above every name, that at the name of Jesus, every knee should bow, of those in heaven, and of those on earth, and of those under the earth, and that every tongue should confess that Jesus Christ is Lord, to the glory of God the Father.”  (NKJV)

There is ultimate power in the Name of Jesus!  I challenge you to speak and sing that Name against the onslaughts of the Enemy in your life, whether it be for a physical, spiritual, financial, emotional or other need in your life. He responds when we call His Name out in prayer and praise….He is ever present to hear and answer us, even when things seem darkest.  I hope you will sing the words of this song in praise to our Lord and Savior, Jesus Christ!

All hail the power of Jesus’ Name, let angels prostrate fall;

Bring forth the royal diadem, and crown Him Lord of all;

Bring forth the royal diadem, and crown Him Lord of all.

*****

Ye chosen seed of Israel’s race, ye ransomed from the Fall;

Hail Him who saves you by His grace, and crown Him Lord of all;

Hail Him who saves you by His grace, and crown Him Lord of all.

*****

Let every kindred, every tribe on this terrestrial ball,

To Him all majesty ascribe, and crown Him Lord of all.

To Him all majesty ascribe, and crown Him Lord of all.

*****

O that with yonder sacred throng we at His feet may fall!

We’ll join the everlasting song, and crown Him Lord of all;

We’ll join the everlasting song, and crown Him Lord of all.

The Story of “Amazing Grace”

Jan20

Perhaps the most famous, best-loved hymn ever written is “Amazing Grace”, penned by Anglican clergyman John Newton in late 1772 for a prayer meeting. The story of how God brought this hardened sea captain to a knowledge of saving grace is indeed remarkable!

Born in 1725 in London, England to a shipping merchant father and devout Christian mother who died of tuberculosis when he was not quite seven years old, John joined his father on a ship as an apprentice when he was only eleven. A headstrong, disobedient young man, he denounced his faith while still in his teens, joined the Royal Navy for a time and, after deserting, joined the crew of a slave ship where he began his career in slave trading.

After openly mocking the ship’s captain, creating obscene poems and songs about him that became popular with the crew, and entering into violent disagreements with several colleagues onboard, he was ordered to be chained like the slaves the ship carried, starved almost to death and imprisoned at sea. He was then enslaved and forced to work on a plantation in Sierra Leone in West Africa for several months until his father intervened and one of his ship captain friends picked him up on another ship bound for England.

While aboard this ship called the “Greyhound”, Newton gained notoriety for being one of the most profane men the captain had ever met. Even among the sailors, known for their foul-mouthed cursing, Newton was admonished several times not only for using the worst words the captain had ever heard, but creating new ones to exceed the limits of verbal debauchery. In March 1748, while the “Greyhound” was in the North Atlantic, a violent storm came up, so rough that it swept overboard a crew member who was standing where Newton had been moments before. After hours of manually pumping water from the ship’s decks, expecting to capsize at any moment, John Newton turned to the captain and said, “If this will not do, then Lord have mercy upon us!” During the next eleven hours he continued to ponder his divine challenge.

About two weeks later, after the battered ship and starving crew landed in Ireland, Newton remembered a book he had read aboard ship, The Christian’s Pattern, a summary of the 15th Century The Imitation of Christ by Thomas a Kempis, and his uttered phrase in a moment of desperation. He began to ask if he was worthy of God’s mercy and grace or in any way redeemable as he had not only neglected his faith but directly opposed it, mocking others who showed theirs, deriding and denouncing God as a myth. He began to believe that God had sent him a profound message and had begun to work through him.

Although John Newton pointed to this time in his life as his conversion, he continued in the slave trade through several voyages up the rivers of Africa, now as a captain, procuring slaves offered for sale in larger ports and subsequently transporting them to North America. Two days before he was to embark on his fourth slave-trading expedition, a mysterious illness temporarily paralyzed him. His doctors advised him not to sail. Even though he was subsequently promised a position as a ship’s captain with cargo unrelated to slavery, he never sailed again. The replacement captain of the ship he was to command when he became ill was later murdered in a shipboard slave uprising. God’s hand was upon John Newton!

He was only thirty-years-old when he ended his slave trading career. Teaching himself Latin, Greek and theology, he and his new wife, Mary, took a pastorate in Olney, England, after the Earl of Dartmouth, impressed with Newton’s story of his conversion and renunciation of the slave trade, sponsored him for ordination. Newton soon became friends with people like Charles and John Wesley, who had encouraged Newton to go into the clergy and was the founder of the Methodist Church; George Whitfield, a famous Church of England evangelistic preacher; and William Cowper, a gifted hymn writer (“There Is a Fountain” among others). Newton and Cowper began weekly prayer meetings in 1768 and attempted to present a poem or hymn at each one.  “Amazing Grace” was probably used in a prayer meeting for the first time on January 1, 1773. In 1779 a collection of the poems these two men had written for their services in Olney was bound and published anonymously under title “Olney Hymns”. Newton contributed 280 of the 348 texts and titled his best known poem, “I Chronicles 17:16-17, Faith’s Review and Expectation” with the first line: “Amazing grace! (how sweet the sound)”, no doubt thinking back on his remarkable conversion from a sinful life of shame! The entire first stanza, speaking of a “wretch like me”, undoubtedly expresses his regret over years spent in the slave trade.

Newton soon joined forces with a young man named William Wilberforce, the British member of Parliament who led the campaign to abolish the slave trade in the British Empire which culminated in the Slave Trade Act 1807, and became an ardent and outspoken abolitionist.

Years later, in 1847, William Walker assigned Newton’s words to a traditional song named “New Britain”, and published the song in the United States in his songbook, “Southern Harmony”. It was an immediate success and became enormously popular all over the country. A new verse, not written by Newton, was added by Harriet Beecher Stowe in her best-selling 1852 anti-slavery novel “Uncle Tom’s Cabin”, which had been passed down orally in African-American communities for at least 50 years:

When we’ve been there ten-thousand years,
Bright shining as the sun;
We’ve no less days to sing God’s praise,
Than when we first begun.

“Amazing Grace” continues to be an emblem of the Christian faith today, as well as a symbol of hope during tragedies like the Civil War, the persecution of various groups such as African-American slaves, the Cherokees who sang it while on their “Trail of Tears” as a way of coping with their ongoing battle, and all of us who suffer in one way or another. If it were not for God’s “Amazing Grace” where would any of us be?

The Story of “Silent Night”

Dec17

The beautiful and much-loved Christmas carol, “Silent Night”, has a very interesting story behind it….I thought you might enjoy hearing how this most famous carol came to be written!

The year was 1818 and a roving band of actors was traveling through the Austrian Alps performing their re-enactment of the story of Christ’s birth in towns all over the area. On December 23 they arrived at Oberndorf, a village near Salzburg, where they were scheduled to perform that evening in the small Church of St. Nicholas.

Unfortunately, the church organ was broken and unable to be repaired until after Christmas. Undeterred, the acting company simply moved their Christmas drama to a private home. In attendance that evening was an assistant priest of the church, Josef Mohr, a young man who had been born an illegitimate child on December 11, 1792 in  Salzburg.  He had become a Catholic priest in 1815 after he obtained a special papal dispensation that was required for illegitimate persons entering the priesthood. That night the beautiful presentation of the actors put him in a meditative mood, and instead of walking straight home, he took a longer route which included a quiet path up a hill overlooking the village below. As he looked down from the hilltop on the peaceful, snow-covered village, he reveled in the majestic silence of the wintry night and, gazing upon the picturesque winter scene, remembered a poem he had written a couple of years before about the night the angels announced the birth of the long-awaited Messiah to shepherds on another hillside far away in Judea.

Mohr, who was very determined to introduce music in the mother tongue of the Austrian and German people, instead of insisting they sing songs and hear sermons in Latin which was not understood by anyone, decided that the words he had written might make a good simple carol for his congregation the following evening at their Christmas eve service. The only problem was he had no music to which the poem could be sung! So the next day Father Mohr went to see the church organist, Franz Gruber. The organist had only a few hours to compose a melody for Mohr’s poem, and due to the fact the organ was inoperable, he had to come up with an extremely simple melody and chord pattern that could be sung with a guitar. Gruber managed to do just that, and by the time of the Christmas eve service, he had composed a simple but beautiful musical setting for the poem, one which could easily be sung by the common people and whose accompaniment could  be strummed on the guitar. They had just introduced a Christmas carol that could be sung without an organ!

On that Christmas Eve in 1818, the congregation heard for the very first time the beautiful carol, “Silent Night”, sung by Mohr and Gruber, who also accompanied them on his guitar.

Weeks later, when the organ builder Karl Mauracher arrived to repair the organ, he heard Gruber play his composition as he tested out the newly refurbished instrument. Deeply impressed by the beautiful, melodious carol, Mauracher took copies of the music and words to “Silent Night” back to his own Alpine village of Kapfing. Two well-known singing families, the Rainers and the Strassers, heard and were captivated by the beautiful new song, putting it into their Christmas season repertoires.

The Strasser sisters spread the carol across northern Europe. In 1834, after they performed it for King Frederick William IV of Prussia, he ordered his cathedral choir to sing it every Christmas eve! Twenty years after it was written, the Rainers brought “Silent Night” to the United States, singing it (in German) at the Alexander Hamilton Monument located outside of New York City’s Trinity Church.  Josef Mohr and Franz Gruber had maintained their church work in relative obscurity through the years.  It was not until people began asking years later, as its popularity at Christmas increased, “Who wrote this beautiful song?” that  Gruber’s son spoke up and said, “I know the story of this song!” and produced a copy of it after his father’s death.  Josef Mohr died of complications from tuberculosis when he was not quite 56 years old, and is buried in the courtyard of a school he started in a small town in Austria during his priesthood.  Neither man ever knew the worldwide scope of the song they had penned that Christmas Eve in a small town in the mountains of Austria, but God used their talents in a remarkable way.  Even though Josef Mohr was a man who came from a less than desirable background at the time, God chose him to herald the message of the birth of the Savior through this beloved song!

In 1863, “Silent Night” was translated into English from the original German, and today the words of “Silent Night” are sung in more than 300 different languages around the world!  It has been recorded musically by over 740 artists all over the world, making it the most recorded song of all time!

The original German lyrics go something like this:

Stille Nacht, heilige Nacht,
Alles schlaft, einsam wacht;
Nur das traute heilige Paar,
Holder Knab im lockigten Haar;
Schlafe in himmlischer Ruh’, Schlafe in himmlischer Ruh’.

Did God in His sovereignty allow a simple church organ to “break down” and be out of commission at a most important time so that someone would compose a simple song, one that ordinarily would not be thought of as nearly complex enough for the traditional organ masterpieces of the day, later sung around the world as a best-loved rendition of His birth? Did God anoint two men who were moved by the events recorded in Matthew and Luke to compose perhaps the most famous of the carols that are sung all over the world to this day? I believe He did! I am thankful that they were obedient to the Holy Spirit’s prompting to pen the words and music that will go down in history as one of the greatest songs ever written!

Silent night, Holy night,
All is calm, all is bright;
‘Round yon virgin, mother and child,
Holy infant so tender and mild;
Sleep in Heavenly peace, Sleep in Heavenly peace.

Silent night, Holy night,
Shepherds quake at the sight; 
Glories stream from Heaven afar;
Heavenly hosts sing, “Allelujah”;
Christ the Savior is born, Christ the Savior is born!

Please enjoy my arrangement of this beloved carol from my Christmas album “Proclaim the Joy!” (available also on Pandora, Spotify, iTunes, CD Baby and others)